Catherine Chandler's Poetry Blog

Friday, October 11, 2024

My Sonnet About Sonnets



I bought a copy of this book in 1967. I still have it.

Sonnet Love

 

I love the way its rhythm and its rhymes

provide us with a promise, a belief

familiar voices at specific times

may modulate unmanageable grief.

 

I love the way we’re called to referee

the mind-heart match-up in its scanty ring;

how through it all our only guarantee

is that for fourteen rounds the ropes will sing.

 

I love the way it makes us feel at home,

the way it welcomes fugitives and fools

who have forgotten all roads lead to Rome

from shared beginnings in the tidal pools.

 

Life’s unpredictability defies

clean dénouement. I love the way it tries.

 

 

 

P.S. My favorite sonnet by Millay begins: "Time does not bring relief; you all have lied"


 

Wednesday, October 9, 2024

My October Poem

A segue from my poem "Elderberry Tale", this is one of my Petrarchan sonnets, written in slant rhyme

It was first published in The Lyric (Volume 97, Number 4, Fall 2017) and is the title poem and final poem of my book, Pointing Home (Kelsay Books, 2019).

 

A typical Pennsylvania landscape in autumn.

 

 

 

 

 

Pointing Home

 

All things on earth point home in old October:

 sailors to sea, travelers to walls and fences,

hunters to field and hollow and the long voice

of the hounds, the lover to the love he has forsaken.

           

—Thomas Wolfe, Of Time and the River 

 

 

In expectation of approaching winter,

a woodchuck slips into his grass-lined burrow;

the fall migration of the vesper sparrow

begins, as afternoons grow shorter, fainter.

The blood moon of the Abenaki hunter

wanes, as mercury glissades toward zero:

apprentice to the North, I’ll need to borrow

the mettle of a born and bred Vermonter.

 

And so, when mountain winds conspire to wither

asters, mums and marigolds; as mice

prepare their cellar nests; before snow flurries

sweep against the windowpanes, I gather

pitch-pine kindling for the fireplace,

and from the riverbank, late elderberries.

 

 

 

Monday, October 7, 2024

Elderberry Tale


 


In loving memory of my maternal Granny.

 

Elderberry Tale

 

Once upon a time at summer’s end,

without specific plans to fill my day,

I sauntered to her house. I would pretend

I’d never heard the stories of the way

 

the week divided into different chores.

Her gravel voice and knotted hands explained

the wringing of the wash, the hard-scrubbed floors,

the kneading and the knitting. As she strained

 

the mash of berries, crimson droplets bled

in trickles to a saucepan on the stove.

The secret’s in the knowing how, she said,

to measure sugar, cinnamon and clove.

 

For happily-ever-afters, her advice

has come in handy. As I stir my brew –

the cauldron simmering with sweet and spice –

I add a pinch of snail, a frog or two.


 

Saturday, October 5, 2024

Nuit blanche

 

 

White Night, by Edvard Munch, 1901

White Night

 

Minutes. Hours. Darkness pressing   

through the window. Not a breeze.   

Freight trains at the level crossing                

wail and goad my turning, tossing.               

Lurid ciphers lengthen, glossing                                

over time’s hypotheses.            

Night attends my second-guessing    

days we were not meant to seize.


 

Wednesday, October 2, 2024

Background poem for my latest book


Based on a true story. Annals of the Dear Unknown is available from Kelsay Books, or from the author (me!).

I loved researching and writing this book. At some point in the future I will be posting each of the 28 chapters.

 

Taking Stock 

 

By the middle of the twentieth century,

“King Coal” had been dethroned by natural gas

and oil. In a place tagged Diamond City,

daily life had lost much of its luster.

But to the sad eyes of a little girl,

taking in the glitz of movie house

marquees mirrored in the rain-slicked street

of Public Square that blustery April night,

her Trailways slowly rolling toward the station,

Wilkes-Barre spangled, scintillated, shone.

 

 

No one had told the little girl, back then,

that Yankee blood was coursing through her veins,

nor that the subject of the “Doodle” ditty

had anything at all to do with Rose,

the woman sitting stern and ramrod straight

in that old gilt-framed sepia photograph

hanging on an uncle’s parlor wall.

It was the present moment, nothing more―

a father far away with polio.

A North-End double-block A soothing thumb.

 

 

That night, the little girl slept unaware

that over nine-score years had come and gone

since Rachel Tyler Munson was interred,

unmarked, along the Susquehanna’s banks,

her children fleeing for their lives; a time

when Eton Jones would chip the glistening rock

from local outcrops for his blacksmith forge,

long before the Knox Mine tragedy.

A time when rival passions for the land

burned like the hot blue flame of anthracite.

 

 

 

 

 

 

 

 

Tuesday, October 1, 2024

Spring has arrived in Uruguay!

 


Ostensibly about the "hornero" (as the ovenbird is called in Uruguay), the last two lines of this intricate Spenserian sonnet give a clue to my thoughts on free verse.

 

The Ovenbird


In Uruguay, in spring, I’ve often heard

lighthearted trills along a dusty road:

the lively, undiminished ovenbird

sings as she builds her intricate abode.

The wily swallow, with no stringent code

of constancy, surveys the chambered nest;

and knows that, following this episode

of eggs with which the other bird is blessed,

he’ll snatch the abdicated space. Hard-pressed

though he may be for time, for love, for will,

too wise to prove an uninvited guest,

he waits it out upon a windowsill.

The ovenbird, deemed artless by the swallow,

to practiced eyes is one tough act to follow.