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Pattern on a 1771 woven coverlet, reprinted by permission of The National Museum of the American Coverlet, Bedford, Pennsylvania |
What Reason Weaves
Diah was a superstitious man
who looked for signs and omens in his dreams,
the moon, and shooting stars. He’d not abide
a black cat in the barn. He counted crows,
and slept feet facing south. Contingent on
the farmland’s need—or not—for sun and rain,
he’d find and kill a snake and either hang
or drown it. Even as a little boy
he’d kept a lucky charm—a codfish bone—
and drew his stockings on, first left, then right.
His journeys rarely started on a Friday;
he never trimmed his finger-nails on Sunday;
and in accordance with the local lore,
he married on a Wednesday afternoon.
Thus Diah was alarmed when Rachel placed
the linsey-woolsey paneled coverlet
that had been passed on down from Granny Tuttle
and Rachel’s mother—both of whom had died
not long past forty—on their wedding bed.
He voiced his dread in no uncertain terms.
So Rachel put the coverlet away,
wrapped in calico, where it would lie
unseen, unused, but not unvisited.
For, in those rare and scattered unfilled hours,
she’d open up the cedar dowry chest,
remove the coverlet, and lose herself
in the embrace of its remembered scents
and in the white and sky-blue warp and weft
of other lives now absent from her own.
One day it would become a winding sheet.

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